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Slumdog Millionaire deserves a region among the masterpieces of world cinema. Praise is pouring in for this shining film, directed by Danny Boyle from a screenplay by Simon Beaufoy adapted from a unique by Vikas Swarup.
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The settings recede from the bleakest - the slums outside Mumbai, where our hero, Jamal Malik, lives as a child with his older brother Salim - to high rise vistas and no less than the Taj Mahal. The epic ranges from the worst despair and heartbreak to the noblest sacrifice and most romantic savor.
We are introduced in the opening moments to the young adult Jamal, played by Dev Patel. He is a contestant on the Indian version of Who Wants To Be A Millionaire and has unprejudiced answered the ten million rupee examine prior to the destroy of the exhibit. His next ask will be worth twenty million rupees, an unimaginable fortune to the average Hindi. The arrogant, primping star of the expose, played with artificial charm concealing an oily narcissism by Anil Kapoor, cannot stand that young Jamal is stealing some of his spotlight, and believes that the young, uneducated “slumdog” is cheating. (One of the key sequences involves the host “proving” to himself that Jamal MUST be cheating.) Jamal has been handed over to the police, who torture him to manufacture him confess his deception. This moment in Jamal’s life frames the rest of the film, told in flashback, and explains the torturous road that allowed Jamal to acknowledge even the most difficult questions.
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We are not told about Jamal and Salim’s father, but in an early sequence we witness their mother murdered in a brutal religion riot as club-wielding Hindu’s attack a Muslim slum. Orphaned, Jamal and Salim live in the trash dump at the edge of the slum. They succor another orphan, the young girl Latika.
The remainder of the film fills in the gaps of the lives of Jamal and Salim and Latika, who call themselves the Three Musketeers, but only got far enough in school before the kill of their mother to learn the names Athos and Porthos. Along the device they encounter police brutality, orphanage directors who create Fagin and Bill Sykes seek like Mother Teresa, as well as Indian gangsters and other people-traffickers. Several sequences indicate us that Salim is becoming hardened by their harsh life, although he retains a degree of fancy for Jamal. For his piece Jamal makes the most of what life gives him. He only resorts to the criminal activities Salim sees as the only procedure to design it out of necessity. At two different times Jamal is heart-breakingly separated from Latika, and at one level the entire film is a appreciate myth about Jamal’s single-minded dedication to reunite with the only girl he ever loved. (Nine fantastic performances are given of the “Three Musketeers” at three different ages of life, and it is appropriate to give credit to Ayush Mahesh Khedekar, Azharuddin Mohammed Ismail and Rubiana Ali as the youngest Jamal, Salim and Latika as well as Tanay Chheda, Ashutosh Lobo Gajiwala and Tanvi Ganesh Lonkar as the just-past-puberty versions. Dev Patel and the stunning Freida Pinto may become international sensations as the adult star-crossed lovers. Madhur Mittal has less mask time as the adult Salim, but his character plays an essential role.)
The faint-hearted should know that the language could appear on American television and that there is no nudity, but the violence, in particular two torture scenes, are flinch-inducing.
Slumdog is a share of fiction - a fantasy - but it includes exact emotions and believable human characters. I walked from the theater feeling a exiguous better about being alive, and intelligent that I had unbiased viewed a heavenly artistic achievement.
One of the inequities of the movie business is that a film like this can only initiate in a few theaters in Current York, Chicago and Los Angeles, and consume weeks to advance at “lesser” destinations like Atlanta and Houston and St. Louis, while Beverly Hills Chihuahua opened nationwide on thousands of screens. I’m honest sayin’.
It’s unique and it’s magical and horrific. It’s the hero’s sage of a quest. And it’s the fable of the city of Mumbai, India, with its gigantic contrasts of declare poverty in an emerging new world. It moves with lightning rush and I found myself smiling one microscopic and grimacing in disgust in another. It’s an emotional roller coaster amble that left me exhilarated and convinced that this breakthrough film is a correct global masterpiece.
The film opens as a young Indian man competes on a television question note. He is winning and winning. In the next scene he is being tortured by the police because they reflect he is cheating as he is not educated and is a child of the slums. His myth is then told in flashbacks, as the audience learns how he came to know the answers to each of the questions.
We meet him and his brother as young children living on the street and exploited by gangsters to become street beggars. However, there is constant humor in juxtaposition to the wince-inducing revulsion which adds a special kind of humanity to the account. Through all the misfortunes to which the brothers are exposed, there is an upbeat quality to the film, as we arrive to understand that it was these traumatic incidents in this young man’s life that taught him the specific answers to the request being asked on the put a question to exhibit.
Of course there is also a romance. Our hero is looking for the young woman he loves, a childhood companion through the anxiety, who is serene being exploited by the Indian underworld, which now includes his brother.
All of this is packed in an upbeat and attractive tale that eager me from the beginning and made me want to stand up and cheer at the cheerful ending.
This is not a film to be missed. It breaks all the stereotypes and comes across as a groundbreaking recent modern lisp in the landscape of the world of film. I give it my highest recommendation.
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Add comment March 3rd, 2010